Skip to main content

Lyon: a library of African diaspora culture chez Cyril

Cyril is a well of knowledge with a passion for African diaspora culture, and he kindly hosted me for a few days Lyon. I scratched the surface of his wonderful library – always a source of inspiration. I'm looking forward to his forthcoming book, Voices of the Diaspora.

Cyril remarked on how I helped him to discover new things in his own city. I marvelled at the serenity of his apartment and of Lyon in general. The quiet of Lyon after the roar, the bustle of Bali, was astonishing. Structurally Lyon is my ideal city: bike friendly, walkable urban planning, elegant tree-top apartment blocks, shady courtyards, turquoise rivers, steep hills and lookouts.

There are also many beautiful Afro-French ppl, most notably the gorgeous diva of Trio Aliado who we heard at the Opera terrace. This lady almost made me cry with her beauty, her powerful stage presence. I was moved to tears with empathy for a younger me... otherworldly, head-turning and for all I knew, utterly unique. Of course even a very a big Afro is not unique, but in snow-white Ireland it had been.

Even now, with my natural salt-and-pepper Afro, my look is still unique – living in majority white countries, I haven't seen women with the same hair and the courage to wear it fully natural. With the self-hatred that colonialism instilled in our people, as well as racism, misogyny and ageism – it does take courage to just be yourself. Cyril's British partner Gertrude has Ugandan heritage. We watched YouTube videos and worked on our hair skills together. I want to learn how to cornrow braid my hair.

The image below should open a gallery of photos I took in the city of Lyon, and a few of the gems from Cyril's library for future reading!

Lyon 2017 chez cyril & gertrude

Comments

Popular posts from this blog

From seaweed to bananas – Contact Improv in Dublin

The dancers were sitting in a circle when I arrived. A stranger, I was greeted with words of welcome and invited to join the end of a class by Yaeli. We danced as seaweed buffeted by waves, brushed by fish... first anchored on rocks, then taking flight into the water. This seaweed dance was one of my best trio experiences, taking turns with David and Fergus in the roles of weed or wave or fish. A friendly jam followed, including dances with Isabel and Jacob.  When the jam was over, we said goodbye with hugs. I felt great... welcomed to the community, emotionally and physically invigorated. I walked to my bus stop with a smile on my face. Though bus rides are usually tedious and smelly in the damp Dublin winter, I smiled the whole way. I got off and walked the few hundred metres home in the freezing rain. Soon I was home with hot tea, a hot bath, and downy bed – a happy body, drifting into dreams. Going bananas at the Lab The offer to share dance skills came at a dance

Physical poetry – Contact Improv in Madrid

On my first visit to Madrid, I wrote about exploring Lavapies Tabacalera by day – sophisticated art installations in warehouse galleries. On this second visit to Madrid, I discovered the Tabacalera studios by night – a living, breathing art community. Cuban flautist and poet Liz stayed in touch after our chance meeting in Lisbon, and joined me for this contact improvisation adventure. Tabacaleras are former tobacco factories, given over to the arts by many Spanish municipalities. Passing through the unmarked portal into this furnace of creativity, I quickly felt relaxed and at home. Liz said she had never seen anything like it it. To get the dance studio, we traversed a cavernous room of giant murals into a corridor of spectacular street art, past booming reggae and African DJ dens, out into the yard. A few oil drum fires burned, and people gathered around to keep warm, under the gaze of Albert Einstein. If only he could see his two-metre high portrait, spray painted on old wo

Contact improv at a hippie hideout 2017/10/23 CanMasdeu

On Sunday, Neil, Mauve and I took the train from the historic centre of Barcelona almost to the end of the line and walked a few hundred metres up the hill. CanMasdeu is a huge, institutional building, surrounded by trees and a veggie garden. It has a cross over its highest arch and has a view across the city, to the sea. The site has an interesting history that goes back to Roman times, later housing a convent, and then a lepers hospital. Today it is a squatted social and cultural centre. We arrive just in time for a simple meal in the garden, and the start of a range of workshops. Our attempt to participate in the outdoor art workshop is aborted after I'm attacked by mosquitoes. Neil, Mauve and I return to the building to try a movement and intimacy workshop. The dance studio is a beautiful room with windows looking out onto the green hills, and an amazing black rubber floor. We are guided through breathing and relaxation meditations in corpse pose. We visualise colour and